“你寻找一个女人，却找到了一个灵魂,

你被诡计玩弄了。”  ——索德格朗

 "You look for a woman, but you find a soul,

You've been tricked. "    ——Edith Södergran

设计围绕“女性主义与消费文化”的视角展开，设计策略着眼于访客在空间中渐进的情感体验，打造一个具有独特个性的美术馆型商业空间。

 Revolving around the perspective of "feminism and consumer culture", the design focuses on visitors’ gradual emotional experience in space, creating an art gallery-type commercial space with a unique personality.

女权主义的形象/意识

Image/Awareness of Feminism

消费主义现象是人们构建理想生活形态追寻自身价值的集体投射，其中，女性消费的集体现象及女性主义的发展历程，足以使我们观察到某种代际现象：审美存在一种普遍的叛逆感与矛盾性。

Consumerism is the collective projection of people's pursuit of their own value by constructing an ideal life form. Among them, the collective phenomenon of female consumption and the development process of feminism make us observe a kind of inter-generational phenomenon: there is a universal sense of rebellion and contradiction in aesthetics.

设计师选择以贵金属毫米计微雕工艺制作的黄铜台面，是入口的昭示，它构成了服务前台。品牌LOGO则是与空间同色的水泥质地，融合空间同时将铜质地的光泽低调暗藏。

The brass table surface made with precious metal millimeter micro-carving is specially chosen to constitute the front desk and entrance of the store. The LOGO is in cement texture and same tone as space, which fuses the space and hides the gloss of copper texture.

矛盾对立的相互交叠渗透

Overlapping and Penetration of Contradictions

空间内试图揉合两种矛盾：极端的厚与轻盈，极端的强与柔软。空间的矛盾性与戏剧感通过轮廓、角度和材料的呈现，使空间变得可观可感且阐述了对当代女性表象与内在关联的呈递。

The space tries to blend two contradictions: extreme thickness and lightness, extreme hardiness and softness. The contradiction and drama of space make it tangible and ready to expound the interaction between the exterior and interior of the contemporary women through the conveyance of contours, angles and materials.

经过调配的水泥质感赋予了空间如肤感般的细腻和精确，同时呈现出灰调的沉着个性。顶部的玻璃与镜钢反射面则强调上升的轻盈与灵透感。两种截然不同甚至矛盾的质感弥合出整体空间的框架与戏剧性。

The finely mixed cement texture gives the space a skin-like smoothness and precision, as well as manifests a gray-toned assertiveness. The glass and mirror steel reflector at the top accents the ascending lightness and transparency. Two distinct and even contradictory textures as such complement and thus construct the framework and drama of the whole space.

混浇技术结合解构形混凝土预制板的错形穿插构成一张访客咨询桌，配以6度椅透明版。铜制波浪长凳，以3-5mm不同的厚度驳接及精密的模具压弯技术来完成，具有多人同时使用的稳定性。

The cast-in-site concrete technique combined with the misaligned interspersing of deconstructed concrete prefabricated slabs are used to make the desk for visitors   which is then outfitted with a transparent version of the 6 DOF chair. And the copper-made wave-shaped bench, overlapped-connected with 3-5mm different thickness and made with precise mold bending technology, allows multiple people to sit on at the same time in great stability.

私人艺术馆的时间形态

Time Form of the Private Art Gallery

侯客区以私人艺术馆空间的形式呈现，微妙细腻的肌理处理为等候的访客创建一个无目的沉浸空间。

The waiting area is presented in the formof private art gallery space. The delicate texture treatment creates apurposeless immersion space for waiting visitors.

艺术装置——“亮如白昼的夜及温和的肢解”，是艺术陈列工作室A&V于2019年的创作作品，作为孤品被Meunier旗舰店永久收藏。装置是以混凝土浇筑技术来建构的抽象仿生肢体体块，局部的破损对应女性主义在历史评价中的伤痕感。女性内在的坚定强悍与细腻柔和的外在表现，与装置的弧线、曲翘形成的柔软感及材料的硬质产生共鸣。

The art installation - "gBright Night and Gentle Night Dismemberment" is the work of the art show studio A&V in 2019 and now is in the permanent collection of Meunier flagship store as a lone item. It is an abstract bionic limb block constructed in cast-in-site concrete technique, of which the partial damage echoes the scarring of feminism in historical evaluation. Female’s inner firmness and the exterior expression of their delicate softness resonate with the arc of the device, the softness formed by the curls and the hardness of the material.

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